While many Western scholars have discussed the technical aspects of
Balinese music or the traditional contexts for performance, little
has been written in Western languages about Balinese discourses on
their music. This dissertation seeks to understand the experience
of music in Bali according to Balinese voices through an analysis
of oral and written dialogues on music, mainly by musicians and
dalangs (shadow play puppeteers) from the village of Sukawati,
scholars, teachers, administrators and students from the Indonesian
College of the Arts (STSI) in the City of Denpasar. The study
examines the influence of modernization on the traditional arts and
their role in society. A concentration on Balinese discourses
enables individual performers and scholars to represent themselves
to a greater extent than previously seen in ethnomusicological
scholarship, making this study more of a critical discussion among
equals than a Western interpretation of 'others'. This approach
permits a rare view into contemporary Balinese conceptions and
practices of music.
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