Robert Browning's pre-eminent status amongst Victorian poets has
endured despite the recent broadening of the literary canon. He is
the main practitioner of the period's most important poetic genre,
the dramatic monologue, while his engagement with many aspects of
nineteenth-century culture makes him a key figure in the wider
field of Victorian studies. This stimulating introduction to
Browning criticism provides an overview of the major responses to
the poet's work over the last two hundred years. It offers an
insightful guide to criticism from various theoretical
perspectives, elucidating Browning's participation in Victorian
debates about aesthetics, history, politics, religion, gender and
psychology.
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