The Caucasus region of Eurasia, wedged in between the Black and
Caspian Seas, encompasses the modern territories of Armenia,
Azerbaijan, and Georgia, as well as the troubled republic of
Chechnya in southern Russia. A site of invasion, conquest, and
resistance since the onset of historical record, it has earned a
reputation for fearsome violence and isolated mountain redoubts
closed to outsiders. Over extended efforts to control the Caucasus
area, Russians have long mythologized stories of their countrymen
taken captive by bands of mountain brigands.
In The Captive and the Gift, the anthropologist Bruce Grant
explores the long relationship between Russia and the Caucasus and
the means by which sovereignty has been exercised in this contested
area. Taking his lead from Aleksandr Pushkin's 1822 poem "Prisoner
of the Caucasus," Grant explores the extraordinary resonances of
the themes of violence, captivity, and empire in the Caucasus
through mythology, poetry, short stories, ballet, opera, and film.
Grant argues that while the recurring Russian captivity narrative
reflected a wide range of political positions, it most often and
compellingly suggested a vision of Caucasus peoples as thankless,
lawless subjects of empire who were unwilling to acknowledge and
accept the gifts of civilization and protection extended by Russian
leaders.
Drawing on years of field and archival research, Grant moves
beyond myth and mass culture to suggest how real-life Caucasus
practices of exchange, by contrast, aimed to control and diminish
rather than unleash and increase violence. The result is a
historical anthropology of sovereign forms that underscores how
enduring popular narratives and close readings of ritual practices
can shed light on the management of pluralism in long-fraught world
areas.
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