Nineteen scholars from five countries explore significant issues in
the history of ethnomusicology and its methodological and
theoretical foundations, while providing a critique of the
discipline. "This is a useful and enriching collection of articles
of interest to musicologists and ethnomusicologists...The authors
manage to cover much ground, presenting fascinating insights into
the history of the discipline while also exploring new directions
in both theory and analysis...the most sweeping work of this kind
to be published since the 1960s."--L. D. Loeb, University of Utah,
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