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Music for St Cecilia's Day: From Purcell to Handel (Hardcover)
Loot Price: R1,818
Discovery Miles 18 180
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Music for St Cecilia's Day: From Purcell to Handel (Hardcover)
Series: Music in Britain, 1600-2000
Expected to ship within 12 - 17 working days
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Donate to Against Period Poverty
Total price: R1,828
Discovery Miles: 18 280
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In 1683 English court musicians and the Musical Society of London
joined forces to celebrate St Cecilia's Day (22 November) with a
feast and the performance of specially composed music. The most
prominent composers and poets of the age wrote for these occasions,
including Henry Purcell, John Blow, John Dryden and William
Congreve. In 1683 English court musicians and the Musical Society
of London joined forces to initiate annual observations of St
Cecilia's Day (22 November), celebrating the occasion with a feast
and the performance of specially composed musical odes. The most
prominent composers and poets of the age wrote for these occasions,
including Henry Purcell, John Blow, John Dryden and William
Congreve, and the best musicians of the city, primarily drawn from
the court music, undertook the performances. After a decade of
celebrations, a church service was added before the feast, and
elaborate vocal and instrumental music was performed. At the same
time, celebrations of St Cecilia's Day began to spread widely
throughout the British Isles, where they were held by local music
clubs, often with the support of cathedral musicians. Though the
annual London celebrations came to an end after 1700 in the face of
increasing competition from the city's busy musical and theatrical
offerings, Cecilian poetry continued to inspire new musical
settings in the eighteenth century, including works by Pepusch,
Greene, Boyce and, most notably, Handel. This book examines the
social, cultural and religious significance of celebrations of St
Cecilia's Day in the British Isles and explores the music and
poetry that originated from them. The annual feasts of the Musical
Society are analysed in detail, as is the role they played in the
development of the ode. The book also considers how advances in
musical culture in London were imitated in the provinces and
provides a detailed discussion of the variety of Cecilian
celebrations held at provincial centres throughout the British
Isles.
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