Sociology through the Projector takes issue with the question of
how contemporary film can help answering the general, abstract but
still urgent question: what is the social today? This book explains
the performative relation to contemporary social theory in which
cinema functions as a tool for social diagnosis.
There is much to be learned about social theory through an
encounter with films as films are part and parcel of the society
they portray. Increasingly more lay knowledge about social problems
and facts stems from cinema as it offers to large audiences a
popular and pedagogical introduction to social knowledge. Social
theory cannot avoid a critical engagement with cinema as cinema
interprets, invents, displaces and distorts the object of
sociological inquiry.
This book will provide a deeper understanding of contemporary
social theory as the chosen films will work as a pedagogical route
into contemporary social theory. The films represent a mix of
European and American blockbusters and more aesthetically
orientated films.
The authors question several dominant topics and concerns within
social theory and film studies. Firstly, by cross-examining a
series of concepts such as identity, representation, memory and
surveillance (filming social behaviour) which are of concern to
both film theory and social theory. Secondly, by trying to develop
imaginative approaches to standard social concerns such as
exclusion, gender roles and inequalities, power, infantilisation
and commodification of the social and psychological bonds.
This book will be a great resource for students and researchers
of Sociology, Contemporary Social Theory, Film Studies and Cultural
Studies.
General
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