This first full-length study of William Bronk, one of our most
important contemporary poets and essayists, locates his work in
relation to the eighteenth- and nineteenth-century New England
literary tradition, to later twentieth-century modernism, and to
the subsequent Objectivist and Black Mountain schools of poetry.
Through special attention to his uniquely elegant style, this study
demonstrates how Bronk has brought together earlier American
poetics and philosophy with modern and postmodern notions of being,
emptiness, and nothingness. This book features extensive
discussions of Henry David Thoreau, Herman Melville, Walt Whitman,
Emily Dickinson, Ralph Waldo Emerson, Robert Frost, and Wallace
Stevens, as well as of Charles Olson, Robert Creeley, Cid Corman,
and George Oppen. As particularly concerns these twentieth-century
figures, Burt Kimmelman also sheds light on the role in their
thinking and poetics played by post-positivist science especially
its theories of relativity and uncertainty. Analyses of exchanges
of letters, most critically between Oppen and Bronk, disclose the
great influence of their writing of contemporary intellectual
currents aside from poetry itself. Kimmelmans discussion of
epistemology is central to understanding this subtle and at times
complex poet. The book explains ultimately how, as Michael Heller
observes, 'Bronk is, in some sense, a reshaper of an American
transcendental tradition, a strong poet of paradoxicality and
worldlessness.' Discussions of solitude and abnegation, two key
ideas Bronk derives from Thoreau and Melville, reveal not only the
roots of Bronks concepts of being, emptiness, and nothingness, but
also essential aspects of late-twentieth-century philosophy,
psychology, and aesthetics anticipated by Bronk, Borman, Creeley,
Olson, Oppen, and others over half a century ago.
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