Chinese cinema continues to go from strength to strength. After
art-house hits like Chen Kaige's Yellow Earth (1984) and Wong
Kar-wai's In the Mood for Love (2000), the Oscar-winning success of
Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old
myth that subtitled films could not succeed at the multiplex.
Chinese Films in Focus II updates and expands the original Chinese
Films in Focus: 25 New Takes with fourteen brand new essays, to
offer thirty-four fresh and insightful readings of key individual
films. The new edition addresses films from mainland China, Taiwan,
Hong Kong and other parts of the Chinese diaspora and the
historical coverage ranges from the 1930s to the present. The
essays, by leading authorities on Chinese cinema as well as
up-and-coming scholars, are concise, accessible, rich, and on the
cutting edge of current research. Each contributor outlines
existing writing and presents an original perspective on the film,
making this volume a rich resource for classroom use, scholarly
research and general reading for anyone wanting to understand more
about the historical development and rich variety of Chinese
cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester,
Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar,
Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand,
Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung,
David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason
McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui
Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao,
Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris
Berry is Professor of Film and Television at Goldsmiths, University
of London.
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