This book is a study of obscene print culture in nineteenth-century
Britain. Colette Colligan argues that nineteenth-century obscenity
was caught up in the global cultural traffic of print technology,
international trade, and exoticism. Her analysis of select
canonical and non-canonical publications reveals that obscenity
intersected majority and minority culture, circulated from the
farthest reaches of empire back to the metropolis, searched out new
print and visual media, and built commercial and fantasmatic global
networks for its continuation and survival.
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