1876. With numerous woodcuts. From Chapter I: It is right, first,
to explain that in this dissertation we shall make constant use of
two or three words borrowed from foreign languages; one is botega
or bottega, implying something between a workshop and an artist's
studio, which it would be difficult to express by a single English
word: another is fabrique, meaning the private establishment of a
master potter of that day, the idea of which cannot be so well
conveyed by factory, pottery, or studio (itself an imported word),
all of which are therein combined and modified.
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