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Gendering Walter Scott - Sex, Violence and Romantic Period Writing (Paperback)
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Gendering Walter Scott - Sex, Violence and Romantic Period Writing (Paperback)
Series: The Nineteenth Century Series
Expected to ship within 12 - 17 working days
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Employing gender as a unifying critical focus, Caroline
Jackson-Houlston draws on the full range of Walter Scott's novels
to propose new links between Scott and Romantic-era authors such as
Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth
Hands, Thomas Love Peacock, and Robert Bage. In Scott,
Jackson-Houlston suggests, sex and violence are united in a central
feature of the genre of romance, the trope of raptus-the actual or
threatened kidnapping of a woman and her subjection to physical or
psychic violence. Though largely favouring the Romantic-period
drive towards delicacy of subject-matter and expression, Scott also
exhibited a residual sympathy for frankness and openness resisted
by his publishers, especially towards the end of his career, when
he increasingly used the freedoms inherent in romance as a mode of
narrative to explore and critique gender assumptions. Thus, while
Scott's novels inherit a tradition of chivalric protectiveness
towards women, they both exploit and challenge the assumption that
a woman is always essentially definable as a potential sexual
victim. Moreover, he consistently condemns the aggressive male
violence characteristic of older models of the hero, in favour of
restraint and domesticity that are not exclusively feminine, but
compatible with the Scottish Enlightenment assumptions of his
upbringing. A high proportion of Scott's female characters are
consistently more rational than their male counterparts,
illustrating how he plays conflicting concepts of sexual difference
off against one another. Jackson-Houlston illuminates Scott's
ambivalent reliance on the attractions of sex and violence,
demonstrating how they enable the interrogation of gender
convention throughout his fiction.
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