Based on work the author has carried out with survivor groups in
Northern Ireland and South Africa, "Recording Memories from
Political Violence" draws on written and audiovisual texts to
describe and analyze the use of documentary filmmaking in recording
experiences of political conflict. A variety of issues relevant to
the genre are addressed at length, including the importance of
ethics in the collaboration between the filmmaker and the
participant and the effect of location on the accounts of
participants. Cahal McLaughlin draws on the diverse fields of film
and cultural studies, as well as nearly twenty years of production
experience, in this informed and instructive contribution to
documentary filmmaking and post-conflict studies.
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