Part of the acclaimed 'Documents of Contemporary Art' series of
anthologies . The 'sonic turn' in recent art reflects a wider
cultural awareness that sight no longer dominates our perception or
understanding of contemporary reality. The background buzz of
myriad mechanically reproduced sounds increasingly mediates our
lives. Tuning in to this incessant auditory stimulus some of our
most influential artists have investigated the corporeal, cultural
and political resonance. In tandem with recent experimental music
and technology, art has opened up to hitherto excluded dimensions
of noise, silence and the act of listening. Artists working with
sound have engaged in new forms of aesthetic encounter with the
city and nature, the everyday and cultural otherness, technological
effects and psychological states. New perspectives on sound have
generated a wave of scholarship in musicology, cultural studies and
the social sciences. But the equally important rise of sound in the
arts since 1960 has so far been sparsely documented. This volume is
the first sourcebook to provide, through original critical writings
and artists' statements, a genealogy of sonic pathways into the
arts; philosophical reflections on the meanings of noise and
silence; dialogues between art and music; investigations of the
role of listening and acoustic space; and a comprehensive survey of
sound works by international artists from the avant-garde era to
the present. Artists surveyed include: Marina Abramovic, Vito
Acconci, Doug Aitken, Maryanne Amacher, Laurie Anderson, John Cage,
Kim Cascone, Martin Creed, Paul DeMarinis, Bill Fontana, Kim
Gordon, Dan Graham, Ryoji Ikeda, Mike Kelley, Christina Kubisch,
Bernhard Leitner, Alvin Lucier, Len Lye, Christian Marclay, Max
Neuhaus, Carsten Nicolai, Hermann Nitsch, Yoko Ono, Nam June Paik,
Luigi Russolo, Karin Sander, Mieko Shiomi, Michael Snow and Bill
Viola. Writers include: Ralph T. Coe, Christoph Cox, Suzanne
Delehanty, William Furlong, Liam Gillick, Paul Hegarty, Branden W.
Joseph, Douglas Kahn, Dan Lander, W.J.T. Mitchell, Michael Nyman,
R. Murray Schafer, Michel Serres, David Toop and Paul Virilio.
General
Imprint: |
Whitechapel Gallery
|
Country of origin: |
United Kingdom |
Series: |
Documents of Contemporary Art |
Release date: |
April 2011 |
First published: |
April 2011 |
Authors: |
Caleb Kelly
|
Dimensions: |
210 x 150 x 25mm (L x W x T) |
Format: |
Paperback
|
Pages: |
240 |
ISBN-13: |
978-0-85488-187-1 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
Theory of art
|
LSN: |
0-85488-187-5 |
Barcode: |
9780854881871 |
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