The Marquis de Sade (1740-1814), best known for his violent,
erotic novels, such as "120 Days of Sodom "and "Justine," was also
one of the key inspirational figures identified by Andre Breton in
his "Surrealist Manifestos." De Sade's importance to the
Surrealists and their close affiliates is reflected in the sheer
volume of art and writing dedicated to, or inspired by, his life,
philosophy, and writings. "Sade" documents this body of Surrealist
work, including many key texts and bizarre and erotic images never
before assembled in one volume.
Included in "Sade "are more than fifty rarely seen transgressive
illustrations by some of the most famous names associated with
Surrealism, including Dali, Hans Bellmer, Magritte, Andre Masson,
and Man Ray. The book also features analytical texts by writers of
the period such as Bataille, Breton, Bunuel, Eluard, and
Klossowski. Also included is the first-ever English translation of
"The Divine Marquis" by Guillaume Apollinaire, which was the first
modernist appraisal of Sade and remains one of the best concise
biographies of its subject, and "Sade and the Roman Noir" by
scholar Maurice Heine, in which Heine posits Sade as inventor of
the gothic novel. Putting the works in context is an extensive
history by editor Candice Black that details the relationship
between the Surrealists and Sade.
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