This book outlines a geographically-informed method of evaluating
the emotional impact of museum exhibits. The authors have
personally developed the method they describe over several years of
working with the Museo Laboratorio della Mente in Rome and the
Melbourne Museum in Australia. Informed by non-representational
theories in cultural geography, this book offers solutions to
museum staff for how they might evaluate aspects of visitor
experience, such as emotions and embodied experience, which can be
very difficult to assess using conventional approaches.
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