Books > Arts & Architecture > History of art / art & design styles > 500 CE to 1400
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The Portfolio of Villard de Honnecourt - A New Critical Edition and Color Facsimile (Paris, Bibliotheque nationale de France, MS Fr 19093) with a glossary by Stacey L. Hahn (Hardcover, A New Critical Edition And Color Facsimile)
Loot Price: R4,238
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The Portfolio of Villard de Honnecourt - A New Critical Edition and Color Facsimile (Paris, Bibliotheque nationale de France, MS Fr 19093) with a glossary by Stacey L. Hahn (Hardcover, A New Critical Edition And Color Facsimile)
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This new facsimile edition of the Portfolio of the 13th-century
Picard artist Villard de Honnecourt is the first ever to be
published in color. The thirty-three leaves are reproduced at
actual size from high-quality color transparencies to ensure the
best possible color reproduction of the drawings. One can now see
variations in inks and quill strokes, traces of preliminary
drawings, and corrections made by the artist. This study is also
the first to give a thorough description of the condition of the
leaves, analysis of each drawing in the portfolio individually, and
new transcriptions and literal and free translations of the
inscriptions. The opening chapter covers the history and physical
condition of the portfolio, including reassigning "hands" to text
found on the leaves. The author analyses the tools and inks used,
Villard's drawing technique and style, and evaluates Villard as an
artist-draftsman. Chapter II, the body of the book, is devoted to
detailed analyses of the leaves, one by one, and their drawings and
inscriptions. These analyses are of interest to those concerned
with medieval technology and theology as well as to those
interested in medieval art and architecture. Chapter III is a new
biography of Villard that challenges the many wild speculations of
the last century and a half about Villard, separating obvious
fiction from possible fact. Barnes analyzes in detail Villard's
drawings of different Gothic buildings and makes a case for Villard
having been a lay representative of the cathedral chapter at
Cambrai, one of the buildings Villard drew. An extensive
bibliography of Villard studies and a glossary of Villard's
technical and artistic terms complete this important new study.
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