Spectatorship and Film Theory - The Wayward Spectator (Paperback, Softcover reprint of the original 1st ed. 2018)

This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Ranciere's emancipated spectator with Judith Butler's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions-a "wayward" history of encounters.

General

Imprint:	Springer Nature Switzerland AG
Country of origin:	Switzerland
Release date:	2019
First published:	2018
Authors:	Carlo Comanducci
Dimensions:	210 x 148 x 12mm (L x W x T)
Format:	Paperback
Pages:	208
Edition:	Softcover reprint of the original 1st ed. 2018
ISBN-13:	978-3-03-007240-7
Categories:	Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism Books > Humanities > Philosophy > Topics in philosophy > Aesthetics Books > Philosophy > Topics in philosophy > Aesthetics
LSN:	3-03-007240-1
Barcode:	9783030072407

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