"Aaron Copland and His World" reassesses the legacy of one of
America's best-loved composers at a pivotal moment--as his life and
work shift from the realm of personal memory to that of history.
This collection of seventeen essays by distinguished scholars of
American music explores the stages of cultural change on which
Copland's long life (1900 to 1990) unfolded: from the modernist
experiments of the 1920s, through the progressive populism of the
Great Depression and the urgencies of World War II, to postwar
political backlash and the rise of serialism in the 1950s and the
cultural turbulence of the 1960s.
Continually responding to an ever-changing political and
cultural panorama, Copland kept a firm focus on both his private
muse and the public he served. No self-absorbed recluse, he was
very much a public figure who devoted his career to building
support systems to help composers function productively in America.
This book critiques Copland's work in these shifting contexts.
The topics include Copland's role in shaping an American school
of modern dance; his relationship with Leonard Bernstein; his
homosexuality, especially as influenced by the writings of Andre
Gide; and explorations of cultural nationalism. Copland's rich
correspondence with the composer and critic Arthur Berger, who
helped set the parameters of Copland's reception, is published here
in its entirety, edited by Wayne Shirley. The contributors include
Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein,
Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola,
Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian
Perlis, Howard Pollack, and Larry Starr."
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