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Making Sense of Cinema - Empirical Studies into Film Spectators and Spectatorship (Paperback)
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Making Sense of Cinema - Empirical Studies into Film Spectators and Spectatorship (Paperback)
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There are a variety of theoretical and methodological approaches to
researching how film spectators make sense of film texts, from the
film text itself, the psychological traits and sociocultural group
memberships of the viewer, or even the location and surroundings of
the viewer. However, we can only understand the agency of film
spectators in situations of film spectatorship by studying actual
spectators' interactions with specific film texts in specific
contexts of engagement. Making Sense of Cinema: Empirical Studies
into Film Spectators and Spectatorship uses a number of empirical
approaches (ethnography, focus groups, interviews, historical,
qualitative experiment and physiological experiment) to consider
how the film spectator makes sense of the text itself or the ways
in which the text fits into his or her everyday life. With case
studies ranging from preoccupations of queer and ageing men in
Spanish and French cinema and comparative eye-tracking studies
based on the two completely different soundscapes of Monsters Inc.
and Saving Private Ryan to cult fanbase of the Lord of the Rings
Trilogy and attachment theory to its fictional characters, Making
Sense of Cinema aligns this subset of film studies with the larger
fields of media reception studies, allowing for dialogue with the
broader audience and reception studies field.
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