What does it mean to think beyond humanism? Is it possible to
craft a mode of philosophy, ethics, and interpretation that rejects
the classic humanist divisions of self and other, mind and body,
society and nature, human and animal, organic and technological?
Can a new kind of humanities-posthumanities-respond to the
redefinition of humanity's place in the world by both the
technological and the biological or "green" continuum in which the
"human" is but one life form among many?
Exploring how both critical thought along with cultural practice
have reacted to this radical repositioning, Cary Wolfe-one of the
founding figures in the field of animal studies and posthumanist
theory-ranges across bioethics, cognitive science, animal ethics,
gender, and disability to develop a theoretical and philosophical
approach responsive to our changing understanding of ourselves and
our world. Then, in performing posthumanist readings of such
diverse works as Temple Grandin's writings, Wallace Stevens's
poetry, Lars von Trier's "Dancer in the Dark," the architecture of
Diller]Scofidio, and David Byrne and Brian Eno's "My Life in the
Bush of Ghosts," he shows how this philosophical sensibility can
transform art and culture.
For Wolfe, a vibrant, rigorous posthumanism is vital for
addressing questions of ethics and justice, language and
trans-species communication, social systems and their inclusions
and exclusions, and the intellectual aspirations of
interdisciplinarity. In "What Is Posthumanism?" he carefully
distinguishes posthumanism from transhumanism (the biotechnological
enhancement of human beings) and narrow definitions of the
posthuman as the hoped-for transcendence of materiality. In doing
so, Wolfe reveals that it is humanism, not the human in all its
embodied and prosthetic complexity, that is left behind in
posthumanist thought.
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