The Apostle Paul expected the vast majority of the recipients of
his letters to hear, not read, them. He structured his compositions
for the ear rather than the eye. Pauline audiences would hear clues
to meaning and structure because they had learned to communicate in
a world where those clues were essential to understanding.
Recognizable structures and patterns were essential for listeners
to organize what they heard, to follow, to predict and to remember
the flow of communication. Oral Biblical Criticism examines Paul's
Epistle to the Philippians in light of recent study of oral
principles of composition and interpretation.
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