The Spice Girls, "Tank Girl" comicbooks, Sailor Moon, Courtney
Love, Grrl Power: do such things really constitute a unique "girl
culture?" Catherine Driscoll begins by identifying a genealogy of
"girlhood" or "feminine adolescence," and then argues that both
"girls" and "culture" as ideas are too problematic to fulfill any
useful role in theorizing about the emergence of feminine
adolescence in popular culture. She relates the increasing public
visibility of girls in western and westernized cultures to the
evolution and expansion of theories about feminine adolescence in
fields such as psychoanalysis, sociology, anthropology, history,
and politics. Presenting her argument as a Foucauldian genealogy,
Driscoll discusses the ways in which young women have been involved
in the production and consumption of theories and representations
of girls, feminine adolescence, and the "girl market."
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