During the period between Solon's reforms and the end of the
Peloponnesian War, worshippers dedicated hundreds of statues to
Athena on the Acropolis, Athens's primary sanctuary. Some of these
statues were Archaic marble korai, works of the greatest
significance for the study of Greek art; all are documents of
Athenian history. This book brings together all of the evidence for
statue dedications on the Acropolis in the sixth and fifth
centuries BC, including inscribed statue bases that preserve
information about the dedicators and the evidence for lost bronze
sculptures. Placing the korai and other statues from the Acropolis
within the original votive contexts, Katherine Keesling questions
the standard interpretation of the korai as generic, anonymous
votaries, while shedding light upon the origins and significance of
Greek portraiture.
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