"The Celluloid Madonna" is the first book to analyze the life
of the Virgin Mary on screen from the silent era through to the
present. For decades, Mary has caught the imagination of filmmakers
from a range of religious backgrounds, whether Catholic,
Protestant, Muslim, Marxist, or atheist, and film's intersection of
theology and secular culture has inspired some of the most singular
and controversial visions of this icon in cinema history. Focusing
on the challenge of adapting Scripture to the screen, this volume
discusses Cecil B. DeMille's "The King of Kings" (1927), Pier Paolo
Pasolini's "The Gospel According to St. Matthew" (1964), Franco
Zeffirelli's "Jesus of Nazareth" (1977), Jean-Luc Godard's "Hail
Mary" (1984), Jean Delannoy's "Mary of Nazareth" (1994), Mel
Gibson's "The Passion of the Christ" (2004), Catherine Hardwicke's
"The Nativity Story" (2006), and Mark Dornford-May's "Son of Man"
(2006).
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