With its steel guitars, Opry stars, and honky-tonk bars, country
music is an American original. The most popular music in America
today, it’s also big business. Amazing, then, that country music
has been so little studied by critics, given its predominance in
American culture. Reading Country Music acknowledges the
significance of country music as part of an authentic American
heritage and turns a loving, critical eye toward understanding the
sweep of this peculiarly American phenomenon. Bringing together a
wide range of scholars and critics from literature, communications,
history, sociology, art, and music, this anthology looks at
everything from the inner workings of the country music industry to
the iconography of certain stars to the development of distinctive
styles within the country music genre. Essays include a look at the
shift from "hard-core" to "soft-shell" country music in recent
years; Johnny Cash as lesbian icon; gender, class, and region in
Dolly Parton’s star image; and bluegrass’s gothic tradition.
Originally published as a special issue of South Atlantic
Quarterly, this expanded book edition includes new articles on the
spirituality of Willie Nelson, the legacy and tradition of stringed
music, and the revival of Stephen Foster’s blackface musical,
among others.Contributors. Mary A. Bufwack, Don Cusic, Curtis W.
Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter
Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang,
Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal,
Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble,
David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!