Cesare Pavese (1908-1950) was the leading Italian scholar of
American literature of the generation that came to maturity under
Mussolini. He was not only an acute and wide-ranging literary
critic, but also a sensitive poet and novelist. In addition, he was
a prodigious translator. In collaboration with Elio Vittorini, he
translated and brought to the attention of the Italian public the
works of many important American writers. American literature
helped to give direction to Pavese's creative work and was a
resource for his personal literary campaign against Fascism.
Pavese was a non-academic critic, though far less anti -
academic than D. H. Lawrence. His first purpose was to use American
literature to subvert Italian literature, but beyond that there
were a number of issues on which he disagreed with standard
American criticism. When he does, his wild, original energy of
discovery can trigger a welcome change of focus for our views of
American writing.
Pavese never visited or lived in America; it was for him a
foreign country, although a shifting and sliding special case. He
had no stake in its sectional chauvinisms. He had a vital stake in
its whole literature because, as his communications to Vittorini
make clear, he had a stake in the literature of the whole world.
For a while, America seemed to him the probable center of that
whole. This was the center where things were happening in the world
of the mind, and where the future was being born and licked into
shape. Paveses's writings about American literature still offer
original and unsparing insights.
General
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