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Shadows of Nagasaki - Trauma, Religion, and Memory after the Atomic Bombing
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Shadows of Nagasaki - Trauma, Religion, and Memory after the Atomic Bombing
Series: World War II: The Global, Human, and Ethical Dimension
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A critical introduction to how the Nagasaki atomic bombing has been
remembered, especially in contrast to that of Hiroshima. In the
decades following the atomic bombing of Nagasaki on August 9, 1945,
the city’s residents processed their trauma and formed narratives
of the destruction and reconstruction in ways that reflected their
regional history and social makeup. In doing so, they created a
multi-layered urban identity as an atomic-bombed city that differed
markedly from Hiroshima’s image. Shadows of Nagasaki traces how
Nagasaki’s trauma, history, and memory of the bombing manifested
through some of the city’s many post-atomic memoryscapes, such as
literature, religious discourse, art, historical landmarks,
commemorative spaces, and architecture. In addition, the book pays
particular attention to how the city’s history of international
culture, exemplified best perhaps by the region’s Christian
(especially Catholic) past, informed its response to the atomic
trauma and shaped its postwar urban identity. Key historical actors
in the volume’s chapters include writers, Japanese- Catholic
leaders, atomic-bombing survivors (known as hibakusha), municipal
officials, American occupation personnel, peace activists, artists,
and architects. The story of how these diverse groups of people
processed and participated in the discourse surrounding the
legacies of Nagasaki’s bombing shows how regional history,
culture, and politics—rather than national ones—become the most
influential factors shaping narratives of destruction and
reconstruction after mass trauma. In turn, and especially in the
case of urban destruction, new identities emerge and old ones are
rekindled, not to serve national politics or social interests but
to bolster narratives that reflect local circumstances.
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