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Fear and Other Stories (Hardcover)
Loot Price: R2,605
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Fear and Other Stories (Hardcover)
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Translation of Chana Blankshteyn's stories depicting the tumultuous
interwar years in Europe. Fear and Other Stories is a translation
from Yiddish to English of the collected stories of Chana
Blankshteyn (1860?-1939), a woman who may be almost entirely
forgotten now but was widely admired during her long and productive
life. The mere existence of these stories is itself a remarkable
feat as the collection was published in July 1939, just before the
Nazis invaded Poland and two weeks before Blankshteyn's death.
Anita Norich's introduction argues that antisemitism is palpable,
as is the threat of war and its aftermath. What could it have felt
like to live under these conditions? How might a woman who was a
feminist, a Jew, and an activist understand the recent past of war
and revolution through which she had lived and also confront the
horror that was beginning to unfold? The nine stories in this
volume take place primarily in Vilna, as well as various parts of
Europe. As if presaging what was to come, World War I and Russian
civil wars are the backdrops to these stories, as Jews and non-Jews
find themselves under German occupation or caught up in the
revolutionary fervor that promised them much and took away almost
everything. The young women in Blankshteyn's stories insist on
their independence, on equality with their lovers, and on
meaningful work. Like the men in the stories, they study, work, and
yearn for love. The situations in which these characters find
themselves may be unfamiliar to a contemporary reader, but their
reactions to the turmoil, the frighteningly changing times, and the
desire for love and self-expression are deeply resonant with
today's audience. The history may be specific, but the emotions are
universal. Blankshteyn's stories are both a view of the final gasp
of Eastern European Jewish culture and a compelling modern
perspective on the broader world. Students and scholars of history
and culture, women's literature, and translation studies will
wonder how they've gone this long without reading Blankshteyn's
work.
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