This landmark collection of over 200 complete musical compositions
and movements, ranging from the Middle Ages to the present, offers
first- and second-year music theory classes a wealth of
illustrations of chords, voice-leading techniques, and forms, plus
some material for figured-bass realization and score reading. In
addition, this book provides ample material for both a full-year
course in the analysis of musical forms and a one-semester course
in twentieth-century techniques. Because the book takes no
theoretical position, it is adaptable to any theoretical approach
and to any type of curriculum, including those that combine theory
study with music literature and the history of musical style.
General
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