Significant and unexplored signs of John Marston's literary rivalry
with Ben Jonson are investigated here by Charles Cathcart. The
centrepiece of the book is its argument that the anonymous play The
Family of Love, sometimes attributed to Thomas Middleton and
sometimes to Lording Barry, was in part the work of John Marston,
and that it constitutes a whimsical statement of amity with Jonson.
The book concerns itself with material rarely or never viewed as
part of the "Poets' War" (such as the mutual attempted cuckoldings
of The Insatiate Countess and the Middle Temple performance of
Twelfth Night) rather than with texts (like Satiromastix and
Poetaster) long considered in this light.
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