Studies of Latin American music often overlook its Cuban roots
and the political policies that brought the musicians to the United
States. This work rectifies that omission by examining the
Afro-Cuban influence upon Latin American music and its various
idioms. A brief history of Afro-Cuban musicians in the United
States provides the background and context for the study.
Influential pre-revolutionary Afro-Cuban immigrant musicians, such
as Mongo SantamarIa, Jesus Caunedo, Charanga and Pup Legarreta,
Juan Carlos Formell, and Alfredo Chocolate Armenteros, discuss both
their music and their attitudes toward the political policies that
led them to flee Cuba. Speaking from firsthand experience, founding
figures of Latin music in the United States present unique insights
into the Afro-Cuban experience within the Latin musical
community.
Adding to the musicians' stories, Gerard provides a history of
relations between Cubans, African Americans, and Puerto Ricans in
the Latin music community. He also discusses the impact of the mass
emigration in the 1980s that brought many more Cubans to the
States. This multicultural approach to Latin American music will
appeal to music and Latin American history scholars and to jazz and
Latin music enthusiasts. An appendix includes album listings for
the musicians interviewed."
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