Books > Arts & Architecture > Music > Contemporary popular music > Country & western
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Country Soul - Making Music and Making Race in the American South (Paperback)
Loot Price: R980
Discovery Miles 9 800
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Country Soul - Making Music and Making Race in the American South (Paperback)
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In the sound of the 1960s and 1970s, nothing symbolized the rift
between black and white America better than the seemingly divided
genres of country and soul. Yet the music emerged from the same
songwriters, musicians, and producers in the recording studios of
Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what
Charles L. Hughes calls the ""country-soul triangle."" In legendary
studios like Stax and FAME, integrated groups of musicians like
Booker T. and the MGs and the Muscle Shoals Rhythm Section produced
music that both challenged and reconfirmed racial divisions in the
United States. Working with artists from Aretha Franklin to Willie
Nelson, these musicians became crucial contributors to the era's
popular music and internationally recognized symbols of American
racial politics in the turbulent years of civil rights protests,
Black Power, and white backlash. Hughes offers a provocative
reinterpretation of this key moment in American popular music and
challenges the conventional wisdom about the racial politics of
southern studios and the music that emerged from them. Drawing on
interviews and rarely used archives, Hughes brings to life the
daily world of session musicians, producers, and songwriters at the
heart of the country and soul scenes. In doing so, he shows how the
country-soul triangle gave birth to new ways of thinking about
music, race, labor, and the South in this pivotal period.
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