In this first substantive study of directing Shakespeare in the
USA, Charles Ney compares and contrasts directors working at major
companies across the country. Because of the complexities of
directing Shakespeare for audiences today, a director's methods,
values and biases are more readily perceptible in their work on
Shakespeare than in more contemporary work. Directors disclose
their interpretation of the text, their management of the various
stages of production, how they go about supervising rehearsals and
share tactics. This book will be useful to students wanting to
develop skills, practitioners who want to learn from what other
directors are doing, and scholars and students studying production
practice and performance.
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