This publication is basedon the major exhibition All Our Relations,
which explored the complex and multiple meanings of diaspora, its
condition and experience as expressed through painting. As part of
a discursive approach, All Our Relations brought together works by
artists thatelicit meanings of the diasporic condition from a
diversity of perspectives, methodologies and aesthetic languages.
The medium of painting, with its deep and complex history becomes a
particularly provocative lens through which to explore the
complications as well as the celebration and richness of diasporic
experiences. With a desire for an intergenerational dialogue the
exhibition also presented proposals that push the boundaries of
what painting is and can be.Featuring full-colour reproductions and
installation views, each work is accompanied by a texts by a wide
range of writers that explore each artist's practice.
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