This book brings to light Derrida's rich and thought-provoking
discussions of Shakespearean drama. Contextualising Derrida's
readings of Shakespeare's Romeo and Juliet, Hamlet, The Merchant of
Venice and King Lear within his wider philosophical project, Alfano
explores what draws Derrida to Shakespeare and what makes him
particularly suitable for philosophical thought. The author also
makes the case for Derrida's singular understanding of the
relationship between philosophy and Shakespeare and his radical
idea of what literary genius is.
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