The book explores the twenty-first novel from the perspective that
it is more concerned with theological debate than we might like to
think. It reads five twentieth-century writers who have written the
equivalent of sermons, from the perspective of a man who was denied
access to the Anglican clergy because of his homosexuality, and
finds a parallel tradition of exasperation at the church's obduracy
against homosexuals and determination that the church must
recognize its homosexual ministers.
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