This volume is the first book-length study of the international
phenomenon of multiple-language versions of new films from the
early days of the sound era. Ufa Studios in Babelsberg, Germany,
took the approach of shooting versions of each film in several
different languages using German-speaking or multilingual
actors--and they continued the practice throughout the 1930s, long
after Hollywood studios had discarded it. Chris Wahl's highly
innovative study offers detailed analyses of individual films and
well-grounded theoretical reflections on key questions of the
original and the copy, of version and remake.
General
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