In the tradition of such masterpieces of historical fiction as Mary
Renault's "The King Must Die" East German writer Christa Wolf
movingly retells the story of the fall of Troy - but from the point
of view of the woman whose visionary powers earned her contempt and
scorn. Written as a result of the author's Greek travels and
studies, "Cassandra" speaks to us in a pressing monologue whose
inner focal points are patriarchy and war. In the four accompanying
pieces, which take the form of travel reports, journal entries, and
a letter, Wolf describes the novel's genesis. Incisive and
intelligent, the entire volume represents an urgent call to examine
the past in order to insure a future.
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