Nikolaus Pevsner is best known today for his series of
architectural guides - recently updated and reissued - that
catalogue the best buildings, public and private, in Britain.
Keener students of architecture will also know him as a sometimes
controversial champion of Bauhaus modernism. But for 30 years from
the mid-1940s he also held sway over a much wider area of our
national cultural life through his radio broadcasts, the scripts of
which are now gathered into this fascinating volume. In these
talks, Pevsner ranged over art and architecture, and, necessarily
without any visual aids, made paintings, buildings and sometimes
whole cities come alive in the listener's mind's eye. His subjects
are varied and though they rarely stray from the canonical there
are a few surprises, such as a talk on town planning in New
Zealand. They generally cover famous paintings and their painters,
great buildings and their architects - but each work that receives
his attention has benefited from his imaginative vision, which
brings together history, aesthetic appreciation and a deeply
humanistic appreciation of the people who created them and the
people whose lives they either depicted or affected. He says in his
1955 Reith Lectures, on The Englishness of English Art, that 'most
intelligent [museum] visitors ... find that they need history to
understand and even to appreciate art', and he fully supports this
belief in his talks on Hogarth, Reynolds, Blake and Constable and
aspects of English architecture. In the best traditions of the
universal educator, he delights rather than intimidates with his
scholarship, simultaneously communicating new information to the
novice and new ideas to the more advanced scholar of art and
architecture. This is not a book to be read straight through at a
sitting, but a stimulating collection to be dipped into with
pleasure time and again. (Kirkus UK)
A collection of plays by one of Ireland's finest dramatists of the
80s and 90s Tea in a China Cup focuses on the differing experiences
of three generations of women in a working-class Belfast Protestant
family, a tapestry of tales linked by the central character Beth,
torn between the influence of traditions and the rejection of
gentility and respectability. Did You Here the One About the
Irishman? shows how both nationalists and loyalists are dependent
on one another; Joyriders, grew out of the work Reid did with
residents at the notorious Davis Flats estate and is structured
around the day-to-day activities of four Catholic teenagers on a
youth training scheme running at a now-disused textile mill in
Belfast and plays on the idea of Britain taking a joy-ride through
Ireland; The Belle of Belfast city shows Dolly, a former music-hall
star whose bawdy songs and unconventional antics conjure a magical
Belfast far removed from that represented by her nephew Jack, a
hardline loyalist politician. My Name, Shall I Tell You My name? is
"Fierce, poignant...a formidable portrait of intransigent, archaic
patriotism" (The Times) and Clowns (the sequel to Joyriders) is a
"warmhearted, compassionate play". (The Guardian)
General
Imprint: |
Methuen Drama
|
Country of origin: |
United Kingdom |
Series: |
Contemporary Dramatists |
Release date: |
May 1997 |
First published: |
September 1997 |
Authors: |
Christina Reid
|
Dimensions: |
203 x 127 x 22mm (L x W x T) |
Format: |
Paperback - Mass Market
|
Pages: |
343 |
ISBN-13: |
978-0-413-71220-2 |
Categories: |
Books >
Language & Literature >
Literature: texts >
Drama texts, plays >
General
|
LSN: |
0-413-71220-6 |
Barcode: |
9780413712202 |
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