Illegalized immigration is a highly iconic topic. The public
perception of the current regime for mobility is profoundly shaped
by visual and verbal images. As the issue of illegalized
immigration is gaining increasing political momentum, the authors
feel it is a well-warranted undertaking to analyze the role of
images in the creation of illegalization. Their aim is to trace the
visual processes that produce these very categories. The authors
aim to map out an iconography of illegalized immigration in
relation to political, ethical, and aesthetic discourses. They
discuss the need to project new images as well as the dangers of
giving persons without legal papers an individual face.
Illegalization is produced by law, but naturalized through the
everyday use of images. The production of law, on the other hand,
is also driven by both mental and materialized images. A critical
iconology may help us to see these mechanisms.
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