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Recording Culture - Powwow Music and the Aboriginal Recording Industry on the Northern Plains (Paperback, New)
Loot Price: R854
Discovery Miles 8 540
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Recording Culture - Powwow Music and the Aboriginal Recording Industry on the Northern Plains (Paperback, New)
Series: Refiguring American Music
Expected to ship within 12 - 17 working days
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Recording is central to the musical lives of contemporary powwow
singers yet, until now, their aesthetic practices when recording
have been virtually ignored in the study of Native American
expressive cultures. Recording Culture is an exploration of the
Aboriginal music industry and the powwow social world that supports
it. For twelve years, Christopher A. Scales attended powwows-large
intertribal gatherings of Native American singer-drummers, dancers,
and spectators-across the northern Plains. For part of that time,
he worked as a sound engineer for Arbor Records, a large Aboriginal
music label based in Winnipeg, Canada. Drawing on his ethnographic
research at powwow grounds and in recording studios, Scales
examines the ways that powwow drum groups have utilized recording
technology in the late twentieth and early twenty-first centuries,
the unique aesthetic principles of recorded powwow music, and the
relationships between drum groups and the Native music labels and
recording studios. Turning to "competition powwows," popular
weekend-long singing and dancing contests, Scales analyzes their
role in shaping the repertoire and aesthetics of drum groups in and
out of the recording studio. He argues that the rise of competition
powwows has been critical to the development of the powwow
recording industry. Recording Culture includes a CD featuring
powwow music composed by Gabriel Desrosiers and performed by the
Northern Wind Singers.
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