Claude Chabrol (1930-2010) was a founding member of the French New
Wave, the group of filmmakers that revolutionized French filmmaking
in the late 1950s and early 1960s. One of the most prolific
directors of his generation, Chabrol averaged more than one film
per year from 1958 until his death in 2010. Among his most
influential films, Le Beau Serge, Les Cousins, and Les Bonnes
Femmes established his central place within the New Wave canon. In
contrast to other filmmakers of the New Wave such as Jean-Luc
Godard and Eric Rohmer, Chabrol exhibited simultaneously a desire
to create films as works of art and an impulse to produce work that
would be commercially successful and accessible to a popular
Audience. The seventeen interviews in this volume, most of which
have been translated into English for the first time, offer new
insights into Chabrol's remarkably wide-ranging filmography,
providing a sense of his attitudes and ideas about a number of
Subjects. Chabrol shares anecdotes about his work with such actors
as Isabelle Huppert, Gerard Depardieu, and Jean Yanne, and offers
fresh perspectives on other directors including Jean-Luc Godard,
Fritz Lang, and Alfred Hitchcock. His mistrust of conventional
wisdom often leads him to make pronouncements intended as much to
shock as to elucidate, and he frequently questions established
ideas and normative attitudes toward moral, ethical, and social
behaviors. Chabrol's intelligence is far-reaching, moving freely
between philosophy, politics, psychology, literature, and history,
and his iconoclastic spirit, combined with his blend of sarcasm and
self-deprecating humor, give his interviews a tone that hovers
between a high moral seriousness and a cynical sense of hilarity in
the face of the world's complexities.
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