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Books > Arts & Architecture > Antiques & collectables > Gold & silver (other than jewellery)
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The Classical Ideal - English Silver, 1760-1840 (Paperback)
Loot Price: R599
Discovery Miles 5 990
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The Classical Ideal - English Silver, 1760-1840 (Paperback)
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Loot Price R599
Discovery Miles 5 990
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The second half of the eighteenth century saw an enthusiastic
revival of the use of shapes and decoration from Greek and Roman
architecture in the design of furniture, ceramics and silver. A
reaction against the curving outlines and elaborate floral
decoration of the rococo, neo-classicism was promoted as a return
to the ideal proportions and balance of the ancient world.
Ironically, however, it was also an evocation of lost civilizations
and sowed the seeds of the romanticism of the succeeding century.
The chief proponents of this new style were members of the emerging
profession of architecture such as Sir William Chambers
(1723-1796), architect to King George III, James Wyatt (1746-1813),
James "Athenian" Stuart (1713-1788) and especially Robert Adam
(1728-1792). All of them designed silver as well, and their
contribution to the elegant forms and simple decoration of domestic
silver of the period is assessed in this book, the first to be
devoted to English neo-classical silver for over forty years. The
part played by industrialization in the development of the style is
also examined, as is the increasingly important role of opulent
retailers such as Wakelin & Tayler, Thomas Heming, Joseph
Creswell, Jeffries & Jones, and Rundell, Bridge & Rundell.
At the beginning of the nineteenth century, Rundell's, with their
own design studios and workshops staffed by such well-known names
as Digby Scott (c. 1750-1816), Benjamin Smith (1764-after 1818) and
Paul Storr (1771-1844), were at the forefront of the adoption of a
new imperial style based no longer on classical architecture but on
classical sculpture. This book will be a welcome addition to the
bookshelf of the silver collector. It will also appeal to anyone
interested in the history of design of the period.
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