The combination of Stephane Mallarme's esoteric poetry and Maurice
Ravel's elusive tonal language presents a multitude of
methodological problems for both analysts and performers attempting
to study the Trois poemes de Stephane Mallarme (1913). While extant
analyses of these songs draw on pitch content to make observations
about Ravel's interpretation of the text, they fail to consider the
fundamental structural importance of Mallarme's poetry. In his
autobiographical sketch, Ravel noted that Mallarme's "preciosite so
full of meaning" inspired him to compose the Trois poemes. By using
the archaic French word preciosite, which carries significant
literary connotations, Ravel suggests that his understanding of
Mallarme's preciosite served as the compositional impetus for these
songs. After establishing Ravel's life-long affinity for Mallarme's
Symbolist structures and formal improprieties, this book will
present a detailed analysis of "Soupir" and "Placet futile." Both
scholars and performers can benefit from these analyses, as they
provide insight into the complex structures and symbolic content in
Ravel's composition.
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