Meredith is well-known as a novelist, and his poetry shares some of
the qualities that make his fiction so memorable: a palpable
passion for landscape and humanity's place in it, an inventive and
versatile verbal imagination, a distinctive voice that can range
from the contemplative to the ironic, even satiric. His new work in
this collection combines the usual engagement with the wider world
and a freer movement between personal and impersonal voices.
Recurring concerns are the relationships between belonging and
dislocation, contemplation and action, fixity and movement, the
ambivalent relationship between the world and art's attempt to pan
out its nugget.
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