Written as liner notes to fictional music, Christopher Miller's
uproarious debut novel skewers conventions in a work of high
entertainment and imagination. In Sudden Noises from Inanimate
Objects, the complete works of the prodigiously cranky composer
Simon Silber get their diablolical due from Silber's official
biographer -- a man who grows to hate his subject. Not content with
simply discussing Silber's odd musical oeuvre -- whose highlights
include an hourlong performance of the "Minute Waltz," an etude
composed on a telephone keypad, and a transcription of crow caws --
the commentator veers into a delightfully venomous expose of a
musician whose grandiose ambitions far exceed his actual talent.
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