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The Colored Cartoon - Black Presentation in American Animated Short Films, 1907-1954 (Paperback)
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The Colored Cartoon - Black Presentation in American Animated Short Films, 1907-1954 (Paperback)
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From the introduction of animated film in the early 1900s to the
1950s, ethnic humor was a staple of American-made cartoons. Yet as
Christopher Lehman shows in this revealing study, the depiction of
African Americans in particular became so inextricably linked to
the cartoon medium as to influence its evolution through those five
decades. He argues that what is in many ways most distinctive about
American animation reflects white animators' visual interpretations
of African American cultural expression. The first American
animators drew on popular black representations, many of which were
caricatures rooted in the culture of southern slavery. During the
1920s, the advent of the sound-synchronized cartoon inspired
animators to blend antebellum-era black stereotypes with the modern
black cultural expressions of jazz musicians and Hollywood actors.
When the film industry set out to desexualize movies through the
imposition of the Hays Code in the early 1930s, it regulated the
portrayal of African Americans largely by segregating black
characters from others, especially white females. At the same time,
animators found new ways to exploit the popularity of African
American culture by creating animal characters like Bugs Bunny who
exhibited characteristics associated with African Americans without
being identifiably black. By the 1950s, protests from civil rights
activists and the growing popularity of white cartoon characters
led animators away from much of the black representation on which
they had built the medium. Even so, animated films today continue
to portray African American characters and culture, and not
necessarily in a favorable light. Drawing on a wide range of
sources, including interviews with former animators, archived
scripts for cartoons, and the films themselves, Lehman illustrates
the intimate and unmistakable connection between African Americans
and animation.Choice
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