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The Storm at Sea - Political Aesthetics in the Time of Shakespeare (Hardcover)
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The Storm at Sea - Political Aesthetics in the Time of Shakespeare (Hardcover)
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The Storm at Sea: Political Aesthetics in the Time of Shakespeare
counters a tradition of cultural analysis that judges
considerations of aesthetic autonomy in the early modern context to
be either anachronistic or an index of political disengagement. Pye
argues that for a post-theocratic era in which the mise-en-forme of
the social domain itself was for the first time at stake, the
problem of the aesthetic lay at the very core of the political; it
is precisely through its engagement with the question of aesthetic
autonomy that early modern works most profoundly explore their
relation to matters of law, state, sovereignty, and political
subjectivity. Pye establishes the significance of a "creationist"
political aesthetic-at once a discrete historical category and a
phenomenon that troubles our familiar forms of historical
accounting-and suggests that the fate of such an aesthetic is
intimately bound up with the emergence of modern conceptions of the
political sphere. The Storm at Sea moves historically from Leonardo
da Vinci to Thomas Hobbes; it focuses on Shakespeare and English
drama, with chapters on Hamlet, Othello, A Winter's Tale, and The
Tempest, as well as sustained readings of As You Like It, King
Lear, Thomas Kyd's Spanish Tragedy, and Christopher Marlowe's
Doctor Faustus. Engaging political thinkers such as Carl Schmitt,
Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at
Sea will be of interest to political theorists as well as to
students of literary and visual theory.
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