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Romantic Prayer - Reinventing the Poetics of Devotion, 1773-1832 (Hardcover)
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Romantic Prayer - Reinventing the Poetics of Devotion, 1773-1832 (Hardcover)
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Whilst religion and the secular have been continually debated
contexts for literature of the Romantic era, the dominant scholarly
focus has been on doctrines and denominations. In analysing the
motif of devotion, Romantic Prayer shifts attention to the
quintessential articulation of religion as lived experience, as
practice, and as a performative rather than descriptive phenomenon.
In an era when the tenability and rationality of prayer was much
contested, poetry-a form with its own interlinked history with
prayer-was a unique place to register what prayer meant in
modernity. This study illustrates how the discourse of prayer
continually intervened in the way that poetic practices evolved and
responded to the religious and secular questions of the eighteenth
and nineteenth-century moment. After laying out the details of
prayer's historical position in the Romantic era across a spread of
religious traditions, Romantic Prayer turns to a range of writers,
from the identifiably religious to the staunchly sceptical. William
Cowper and Anna Letitia Barbauld are shown to use poetry to reflect
and reinvent the ideals of prayer inherited from their own
denominational histories. Samuel Taylor Coleridge's work is
analysed as part of a long engagement with the rationality of
prayer, culminating in an explicit 'philosophy' of prayer; William
Wordsworth-by contrast-keeps prayer at an aesthetic distance,
continually alluding to prayerful language but rarely committing to
devotional voice itself. John Keats, Percy Bysshe Shelley, and Lord
Byron are treated in the context of departing from Christianity,
under the influence of Enlightenment, materialist, and atheist
critiques-what happens to prayer in poetry when prayer as a
language traditionally conceived is becoming impossible to
maintain?
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