A broad-ranging account of women's roles and experience in dance,
which demolishes the myth that dance is a female art form by
demonstrating the way in which it is dominated by male managers,
choreographers and directors. While most dancers are women, for the
most part they interpret male-constructed images rather than create
their own. This is not inevitable, however, the author argues;
dance is a possible arena for feminist practice and women's
liberation.
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